When Lomography released the Lomo LC-A 120 last year I got really excited. It’s a compact medium format camera with a modified glass lomo LC-A lens with automatic exposure which is a huge step up from the light leaky plastic Holgas and Dianas I’d previously used. I’ve never really been a fan of plastic 120 roll film cameras as I’ve never seen the point of shooting expensive film on a camera with no light meter, a plastic lens, and something that you only use on a sunny day.
Dave and his fish eyes. Shot Lomo LC-A 120 and Lomography 800 asa colour film
Unseen City is a new body of work from documentary photographer Martin Parr which depicts the strange world of the City of London. For two years Parr was given unprecedented access to the City’s institutions and guilds. I must point out that when I refer to the City of London I am not talking about the City of 8 million people but the square mile which contains the financial district. The City of London has its own Lord Mayor of London which is not to be confused with Boris Johnson the Mayor of London.
Definitely lots of pomp and ceremony at Unseen City
Strange and Familiar: Britain as Revealed by International Photographers explorers how Britain is seen by the lenses of foreign photographers. The show has been curated by Martin Parr one of the world’s most prolific documentary photographers and president of the Magnum Photo agency.
Jim Dow‘s images of shops from the 1980s – 1990s
The work on show spans almost a century with images from: Henri Cartier-Bresson from the 1930s to Bruce Gilden’s floor to ceiling portraits shot in the last few years. The show is huge using both floors of the Barbican Gallery and includes the work of 23 photographers, so it’s a really diverse. Continue reading
A Woman’s War tells the story of photographer Lee Miller’s time during the Second World War. The exhibition takes a journey though her war years and then tells the sad tale of her post war struggles with alcohol and post traumatic stress disorder. The images focus on women’s roll in the war, instead of male solders you presented with the world of female volunteer firefighters and female members of the French resistance.
Model shot with the backdrop of bomb damage in London 1940.
During the war Lee Miller shot for Vogue. As a woman in the 40s, she was not afforded the same opportunities as her male counterparts. To get to continental Europe she had to stow away on a hospital ship heading to Normandy. The exhibition tells her incredible story though her photos of a bombed out London, the battlefields of Europe, the end of the war and the horrors of the Dachau concentration camp. Continue reading
Every year between between the end of October and the start of March tens of thousands of starlings can be seen flocking around Brighton Pier. I am lucky in that my office is only a 3 minute walk from the pier, so if the weather is good I will often wander down to the pier 20 minutes before sunset to watch and shoot one of nature’s wonders. That said they flock no matter what the weather and it’s amazing to watch them move in unison even in very strong winds. Below are some video and photos of Brighton’s starlings that I have shot over the years.
Update March 2017: I’ve now made added a section to portfolio of starling murmuration pictures.
Shot in January 2016 on a Samsung NX1.
What makes Brighton Pier such a good spot to watch the starlings is that swoop below you so can look down on the Flock. Once the sun goes down they start moving closer and closer to the pier to the point where you hear the air rushing round their little wings and you can almost reach out and touch them. If you’re near Brighton Nov – March it’s definitely worth making time to see Brighton’s starlings.
Hopefully I’m preaching to the converted when it comes to having a good backup strategy for your photo archive. Lately I’ve been hearing a lot of digital horror stories including one about a wedding photographer that lost a weddings worth of photos and subsequently had to refund what I assume to be a very unhappy couple. To me this is insane, if your digital data has commercial value why would you not own a £100 backup drive?
Entrusting your precious photo library with Family memories and commercial work to one fragile hard drive is insanity, better to hedge your bets a bit with multiple backups.
Backup is like insurance for the most part you don’t need it but when you do you’ll be thankful. There’s only been one occasion that I’ve had to rely on a backup, 5 years ago I upgraded my storage and with in 2 months one of my new drives died. It is not uncommon for new drives to fail, Google research shows that hard drives will either fail when they are very new as they were defective from the beginning or they will go on for years. Just because a drive is new does not mean you can slack off backing it up. If I had not backed up this little hard drive failure would still be a disaster story I would be telling now, fortunately it was just a mild inconvenience.
In October I took part in TriggerTrap’s LapseWorld, a crowd sourced time-lapse shot in multiple locations around the world. At the London event TriggerTrap asked me to give a short introduction to time-lapse photography for the benefit of people who were new to time-lapse. In Total 40 photographers in 5 cities shot 65,000 images which made 45 minutes of time-lapse footage.
This review has been written after my daughter has been using a Nikon S32 for nine months, but it’s relevant to the newer Nikon S33 as it’s only marginally different. In March 2015 my daughter turned five years old and I decided to get her camera. Quite often I would find myself being art directed and being told to take photos of various different mundane things by her; Matilda can be a regular little Martin Parr. I decided it would be far easier to get her a camera of her own so she could take her own photos, and being a photographer I wanted to get her something decent.
The Nikon Coolpix s33 / s32 is perfect for little hands