Strange Light a very special magazine

Strange Light

This fantastic 40 page magazine landed on my door mat today, well that is a lie I was handed it on my way out by the DHL man. Strange Light was curated in 48 hours buy one Derek Powazek after he found him self amazed buy all the incredible images coming out of Sydney’s recent dust storm. The magazine is published by Mag Cloud and is printed on demand, get yours here. Anyone can publish a magazine with the help of Mag Cloud. The service allows you to design then up load you own magazine and offer it for sail, very clever stuff. And guess what as well as being a grate curator Derek also helped HP set up the Mag Cloud in the 1st place, what a clever chap! You can read about how he went about putting it together in 48 hours on his blog here.

Derek Powazek is a friend and I look forward to seeing him in San Francisco in a few days! Derick and his good wife Heather Champ also wrote the forward to my book Hot Shots. I will be having a signing for Hot Shots and giving a talk in San Francisco on Monday the 12th of October. I am up to quite a bit while I am in San Francisco including running my photo workshops on Thursday 15th to Friday 16th and Saturday 17th to Sunday 18th of October Click here for more info.

The images in the above magazine spread are:
Left: Dusty Dawn buy Mathew Sacco
Top right: Untitled by: Mark Pinto
Bottom right: The Haven, Terrigal by Mike Hartz

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Three years of moo.com. Yay!

what noise dose a cow make?

moo.com celebrates three years of being in business this year! Well Done Moo! Last night I was at the London party to celibate this and much fun was had buy all.

For those of you that don’t know Moo sells business cards, mini cards, stickers and a whole range of other card type product with your images on them. What makes moo products so special is that if you order 90 mini cards you can have a different image on every card. There web site makes it super easy to upload images thanks to the fact that you can get it to take your images from your facebook, flickr accounts and other web sites.

Best of all because I am a moo designer you can order moo products with my images on them from my designer page.

Above images of me at the moo party by Richard Moross (the moo CEO) and Clive Flint.

If I see you in San Fransisco next month I might even give you one on my moo cards. Click here for more details on my San Fransisco plans.

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Parr World in Newcastle

I just received my invite to the private view of Parr World in Newcastle (UK). Parr world is an exhibition in 3 parts, A large part of the show is not photography but a range different of  objects collected but Martin Parr. On the Photography side of things there are 150 photographs by other photographers from Parr’s private collection. Parr also has his own photographs on show from his new body of work Luxury. If you want to know more about the show I wrote a review of the Paris show here. Unfortunately I can’t make the private view because I will be in San Francisco in October spreading the word of lomokev (more details here). To anyone in England I would say this is a must see show and you should make the pilgrimage to go see it. I have scene the show in Münich and Paris and it was well worth the journey.

Parr World is at the Baltic center between the 16th October and 17th January 2010. You can find more details on the Baltic centers site here.

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lomokevs Olympus Pen E-P1 review

This review appeared in the September issue of DSLR user and would like to thank Charlotte Griffiths for letting me hold on to this little puppy from time to time! This review is longer version than appeared in the magazine. If you can’t be bothered to read all 1526 words you can see the pictures and videos I have been taking with the Olympus Pen E-P1 on flickr here, if you can be bothered read on! The small images on this page link to larger versions on flickr, and don’t forget about my book signing and photo courses in San Fransisco in October more details here.

Olympus Pen E-P1 review

Before I start diving into the details of this little camera it’s best that you know how I will be judging the Olympus Pen E-P1. I am best known for my work with compact film cameras, I have shot for many high profile clients using nothing more than a lomo LCA or my trusty Contax T2. I carry a compact film camera with me wherever I go so I never miss a photo opportunity. I have tended to shy away from digital even though it’s 2009, but I am a big fan of the 5D and hope soon to get my self a Mrk2 so my standards are quite high when it comes to digital. One of my biggest problems with digital compacts is shutter lag, which I am glad to say is not a problem with the E-P1; once you have a focus lock you can take a picture in an instant.

I was quite excited to get my hands on a E-P1 for several reasons: the ability to use manual focus, the large aperture when compared to digital compact cameras, interchangeable lens and the fact that it looks like pure sex when compared to you most digital compacts. From the front you could be forgiven for thinking that it’s an original Pen from the 60s.

There are two lenses available at launch are the: 17mm 1:2.8 with is equivalent focal length: 34mm on a 35mm and 14-42mm 1:3.5-5.6 equivalent focal length: 28-84mm at 35mm. For the lomo LCA lovers out there the the 17mm lens is prety close to what the 32mm lens on a lomo LCA. I am a fan of prime lens so for the most part I kept the 17mm “pan cake” lens on and found this more than adequate. The 14-42mm is light I had in my man bag and did not even notice it was there.

You can choose to control as little or as much of the camera as you want, when walking around I left it in ‘intelligent auto mode’ so that if I saw something I wanted to quickly snap I did not have to worry about any settings. The full manual mode was a doddle to use; on some digital compacts it can be quite tricky. In manual mode the main dial on the back of the camera controls the shutter speed and a sub dial controls the aperture, which are comfortably controlled by your thumb and index finger.

While using the camera I started discovering lots of useful features that made the camera really easy to use, the camera I used did not come with a manual so I had to work it out for myself but this was not a problem as it is all quite intuitive. Although there are dedicated buttons for exposure compensation, white balance mode, ISO etc. Every thing is pretty much accessible with the main dial on the back of the camera by pressing the middle of the dial and spinning it to get what you want.

Auto White balance did not perform so well in certain situations but is easily rectified, I found when moving from bright sunlight to the shadows every thing started to look a little blue but all I had to do is switch it to “shadows”. It was a similar story with artificial light but the white balance adjustment is so accessible that it’s not a problem, as you flick through the different white balance options you can see the change happening live so you know you are going to get it right.

The manual focus is not quite what I expected but it’s far better than what was available on say the Nikon P6000. It is difficult to tell what is in focus especially when shooting on a wide aperture, it would have been nice if the camera gave you some indication of what is in focus by drawing a box round it. You can use a zoomed in view so can see a cropped version of what the sensor sees but it’s a little fiddly especially if you are used to the focus points on a DSLR. I am used to zone focus cameras where you set the distance of your subject from you, I think it would be great if the E-P1 did that same thing. Once have set the focus you are free to shoot pictures with no shutter lag, this is handy for a bit of street photography.

orange moped

The sensor dust removal really impressed me on the E-P1; it’s called  “Super-Sonic Wave Filter”, the sensor shakes really fast to remove any dust. I was a little concerned at first because being used to a DSLR’s at least they have a mirror and shutter to offer some protection to the sensor while you are changing lenses, this is not the case with the E-P1. The sensor stares at you whenever you are hurriedly trying to change your lens. When looking at my pictures on my computer I did notice there was some sensor dust on some shots but after a few shots this was gone, that is never the case with my 5D.

The E-P1 has impressive ISO’s range, from 100 to 6400, I found that the image quality is fine up until ISO 800, its starts to get a quite noisy after that and anything above 2000 starts becoming quite soft. But shooting in low light is not a problem and depending on your environment you can get away with a low ISO thanks to the Pen’s image stabilization which is built into the camera so will work with any lens, I shot pictures at 1/8 with no camera shake, image stabilization also works in video mode too. The one thing that the camera lacks though is flash, I don’t tend to use flash a lot but there is a small flash add on that can be purchased separately but unfortunately that was the one thing I was not sent to test.

The E-P1 also features a fine art filters. Some people might dismiss these as a gimmick and to be honest some of them are like soft focus, but if you want your shots to look like a 70’s pin up posters you are onto a winner. The two filters I really liked were the black and white and pinhole. Black and white does not simply de-saturate the image; it adds noise and contrast to make the picture look like it was shot on film. I examined a high-resolution scan of a black and white negative with a black and white picture from the E-P1 at 100% and was hard pushed to tell the difference.

The pinhole might as well be called Lomo mode, this was the one for me you could take photos of inanimate objects and they would look great. When shooting in fine art mode I set the camera to shot RAW and JPEG that I also had an un-processed version of the image incase I did not like what the camera had done.

E-P1 also shoots HD video, because the lenses you get with the E-P1 you can shot video with low depth of fields which sets the video apart from video shot on a standard video camera. The video it captures is really sharp with great colour. You can use the fine art filters in video mode but because of the processing over heads it will drop frames when shooting in HD. If like me you only shoot video occasionally the video mode on the E-P1 is more than satisfactory. If you want to shoot HD video with a DSLR you have to go for a Nikon D90 or a Canon 500D witch will set you back between £630 and £750 and they’re not going to fit in your pocket! The only problem I had with shooting video was that if I used continuous focus, the subject tended to pop in and out of focus every few seconds while the camera tried to get a focus lock even when the subject was not moving.

This camera packs all the controls and features of a DSLR into something that you can slip in your pocket or handbag. I would definitely recommend it to any amateur who is looking at DSLR’s and would be open to alternatives. You are always going to take better pictures if you always have a camera on you, the E-P1 can be your life companion without getting in the way. I had this camera round my neck for four days, if you did that with a DSLR you defiantly have a neck ache so I would also recommend to anyone who travels a lot. If you are a professional and are looking for a weekend camera this is also for you. The only problem I have now is deciding whether to get it in retro silver or white with a cream leather trim!

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Sometimes its good to Gang Up

display copy

Above photo by mr squiddle @ comedyshots.

I had the pleasure of attending the Gang up Magazine launch party 3 weeks ago. Gang up is a new fashion magazine produced by the photographers DarkDaze, Louie Banks, Sam Hiscox, model Sally Reynolds and the girls at Ophelia Fancy. Continue reading

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Hot Shots talk and book signing in San Francisco

hot shots book singing in san fransico

My plans for San Francisco are evolving well, as well as running my Hot Shots course twice on the 15th/16th of October and the 17th/18th of October (more details here). I have now arranged a time and a place to speak and hold a signing for my book Hot Shots. It will be at The Booksmith on Monday October 12 at 7:30pm. I am sure that I will be having a few drinks at a nearby bar afterwards as well.

Monday 12th of October 7:30pm
The Booksmith
1644 Haight St
San Francisco
California 94117

I have set up an Facebook event page and Upcoming page for this event.

If you can’t make it to San Fransisco and you reside in the US I can offer signed copies delivered to you door for $21.90 ($16.95 book + $4.95 shipping). If you were going to order a UK signed copy from me it would set you back $33.78 as it has to be shipped from the UK. To get one send your $21.90 to my paypal account: kevin@analogintelligence.co.uk before the 7th of October and once I am in San Francisco I will start mailing them out.

If you are elsewhere in the world and still want a signed copy click here to find out how you can order one.

Big thanks to Derek Powazek for putting me in touch with The Booksmith.

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Design Week Magazine thinks I am a shooting star

i'm in design week

There is a small piece about me in Design Week this week. The article is about three photographers who promote themselves online and without agents. There are a few inaccurate bits so just let me set the record straight on a few things:

  • It says that I used my website to promote my book launches, at the time I did not have this site (lomokev.com) I just used my flickr.com, twitter.com and upcoming.org accounts.
  • I needed a light-weight camera that I could carry at all times in New york, not a camera to use in New York clubs.
  • I was never an animator at Studio aka I was an interactive designer and developer.
  • I would be fair to point out that I was not solely responsible for The Sunday Times advert and that it was instigated by CHI and Partners

You can also view the images they used in the article on flickr by clicking on these images:

seductive monica raver wellies #25 raver wellies #24

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Watch out San Francisco lomokev is on his way

san francisco here i come!

I have been Invited to attend a Phoot Camp in San Francisco By Laura Miner and Cody Austin. I don’t have many details yet but I think it should be quite interesting. After the Camp I have deiced to stick around San Francisco for a week so that I can hold a book signing and maybe a talk. The most exciting thing is that I will be bringing my photography course to the US for the 1st time. The last course in Brighton attracted silverfox69 from liverpool who had to travel 269 miles but he was topped by topfloor who came all the way from Kassel in Germany just a mere 500 miles. So I am hoping that if I come all the way from the UK a few of you will want to come and sample my photographic knowledge!

The key dates for there trip are:

  • [UPDATE] Monday 12th of October 7:30pm Book signing / talk at the Booksmith more details here.
  • Thursday 15th and Friday 16th of October teaching Hot Shots Course.
  • Saturday 17th and Sunday 18th of October teaching Hot Shots Course.

Both Courses are the same it’s just that I like to keep the class sizes at 8 and seeing as there are a few people who live in San Francisco I would like to make sure that there is enough room for people who want to do the course.

To find out more about the course check my Hot Shots course page. To be updated on my plans for San Francisco Keep and eye on this blog (you can subscribe to the RSS feed here) and follow me on twitter.

See you SF, enjoy the burn if you are going!

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