Social media
Photography course dates
News letter sign up
Top Posts & Pages
-
Recent Blog Posts
- The 2020 Brighton and Hove calendar
- 2019 Lewes Bonfire celebrations
- Lomogon lens launched on Kickstarter
- I’m speaking at T-Shaped Talks at Platf9rm in Brighton
- Brighton Swimming Club in Robinsons ad and Michael Portillo Documentary
- Runner up in the ‘For the Love of the Water’ category at the Kendal Mountain Festival 2018
Categories
- Adobe Lightroom (7)
- Books (17)
- Brighton (69)
- Brighton i360 (9)
- Cameras (9)
- Competition (5)
- Events (43)
- Exhibitions (41)
- Interview (8)
- iPhone (18)
- Lomo (9)
- Lomography (17)
- Magazines (9)
- Martin Parr (13)
- News (29)
- Pecha Kucha (3)
- Photo Books (4)
- Press (10)
- projects (11)
- Published (51)
- Recent Photo Books (3)
- Reviews (26)
- Software (12)
- Talks (26)
- Teaching (8)
- Time-lapse (4)
- Tutorials (13)
Author Archives: lomokev
Conflict, Time, Photography at the Tate Modern London
I must admit ‘Conflict, Time, Photography‘ at the Tate Modern was not what I had expected. Before attending the exhibition I had not heard anything about it, all I knew is that the Tate had curated an exhibition of conflict photography. I expected it to be brimming with iconic way photography like Nick Ut’s The Terror of War (commonly referred to as Napalm Girl). But apart from Roger Fenton’s The Valley of the Shadow of Death and Don McCullin’s shell-shocked US marine it was all pretty new to me. More of Don McCullin’s work documenting the Berlin wall features later on in the exhibition.
Flickr favourites guest post for the Flickr blog
At the start of the year Flickr asked me to write a guest post for their blog showcasing seven images from my Flickr favourites. It was quite a difficult task as I have over 10,000 Flickr favourites (you can see a random selection from my favourites in this post). I did not look though them all as I only had to scratch the surface to find some great images to write about. I chose my seven not because they where better than the rest, I chose them because they’re a diverse set of images most of which told a story.
Ninja Sea Gull Skills
This Saturday I’ll be appearing on CBBC’s new art show ‘Art Ninja‘. Art Ninja follows the artistic adventures of Ricky AKA the Art Ninja. In the episode I appear in Ricky comes to Brighton and enlists the help of some … Continue reading
Viva Brighton Magazine interview
I was interviewed by Viva Brighton for their January Edition. It’s first the of a new series of interviews / project highlights which is a collaboration between MiniClick and Viva Brighton. Each month MiniClick will source a Brighton based photo project to be featured in the magazine and Viva will interview the photographer. MiniClick organises free photography talks / events in Brighton and further afield.
Posted in Brighton, Interview, Magazines, Published
Tagged Brighton, Interview, MiniClick, swimming, Viva Brighton
Leave a comment
Drawn By Light exhibition at the London Science Museum Media Space
The Media Space latest exhibition packs more Iconic photographic prints into one room than you’ve probably ever seen in your lifetime. As soon as you walk in you can’t help but notice one of the most iconic photographs of all time: Steve McCurry’s Afghan Girl. I’ve seen the Afghan Girl image many times but this is the first time I’ve seen a print and it’s absolutely gorgeous, hanging next to it was Yousuf Karsh’s 1947 iconic portrait of Winston Churchill.
Brighton Christmas day swim 2014
If I am in Brighton on Christmas day I will always try and document the Christmas day swim you can see a selection of images for previous swims in my portfolio here. Brighton beach was meant to be closed to swimmers on Christmas day 2014 and the Christmas Brighton day swim canceled. In 2012 and 2011 the council / sea front office took the decision to close the beach because of bad weather to prevent people from swimming, no one tried enter the water in those years. In 2014 the decision was taken to close the beach two weeks before Christmas day. It turned out that Christmas 2014 was sunny and the sea was flat so small group of people went swimming despite the beach closure.
I’ve been shooting Christmas day swims science 2005 you can see a selection of images for previous swims in my portfolio here.
Continue readingLomography Petzval DSLR Lens hands on review
The Lomography Petzval lens is a relatively new lens inspired by the past but designed to work with modern Nikon and Canon Digital SLRs. It’s totally manual and the images it produces have a dream like quality to them which is down to the super shallow depth of field and circular bokeh (blurring). Anything in the centre of frame will be highlighted by the circular bokeh and blurring patten. The lens is the equivalent of an 85mm on a full frame camera (like any Canon 5D) and its maximum aperture is f/2.2.
The roots of this new lens lies in the original Petzval lens designed by Joseph Petzval in 1840, and although Lomography’s Petzval is technically a little different from the original, they’ve definitely nailed the 1840’s aesthetic. In August 2013 Lomography ran a successful Kickstater campaign to fund the manufacturing of a new version of the Petzval, they smashed their $100,000 funding goal 13 times over. After the Kickstarter backers receive their lenses Lomography are selling them to anyone who wants one.
Ten years of being on Flickr
I have to admit I’ve a soft spot for Flickr as I’ve been an avid user for a long time, in fact I signed up 10 years ago this month when it was only eight months old. Although my usage is not what it once was, I’ve made a lot of good friends through the Flickr community and it’s helped my photographic career. A nice little titbit that you might not know: Flickr was spun out of the online Game Neverending’s photo sharing feature. At the time consumer digital photography was really in its infancy and photo editing was not as easy as it now (Lightroom was still three years away). This meant the majority of content on Flickr was unedited digital images which could look a little flat colour wise, this meant that my highly saturated film photos really jumped out from their digital counterparts.